Life is busy. Between constant 12+ hour shifts at work; an upcoming physics exam of some importance; japanese lessons; piracy film… it leaves me little time to update this blog for the next little while.
As life slows down in mid-July, mildly relevant entries on my behalf should begin seeping back. But until then, please have the lowest expectations from this site.
Whenever anyone posts a comment, I get an email informing me so.
Someone just posted spam in the form of a comment, for something I wrote 2 months ago. It consists of a URL to a gambling site, as well as some random text on gambling ensuing it. Newsgroups were ruined by selfish spammers; email followed… are blogs next?
Update on Piracy Film: I’ve amassed about 200+ pages of articles from journals on the issue of filesharing and copyright, and am now in the process of sifting through the stack.
I’m surprised to be honest by the sheer number of people who are against the principles of the media industries on this unbiast search.
Update: Deleted another spamtacular comment. This one was much more straight forward, with a URL to the “Online Top Casino”. Bastards.
To note that the EYNTO DVD ISO torrent has been updated with a new URL. This time it uses DNS (vs. an IP), so it should never have to change again.
If you’re halfway downloading the movie, just load up the new torrent and point it to where your download is located. It will resume from that point on. Give it a day for the DNS to permeate.
Oooo… I got my first ever paycheck for graphic design work. To be honest, the design that was chosen was my least favourite of those proposed; but who am I to complain!
Plan to extend copyright on pop classics
…The government wants to extend copyright laws to ensure pop songs are protected for almost twice as long as the current 50 years.…It will mean Beatles classics such as Love Me Do and Please Please Me, released in 1963, need not automatically lose their copyright in 2013. The Rolling Stones could also benefit with songs such as Satisfaction having their copyright extended beyond 2015.
James Purnell, the new minister for creative industries, believes the change will allow record companies to generate extra revenue to look for new talent and nurture it.
This defeats the purpose of the public domain. Wheras the funds might permit some new talent to be “discovered” and leeched upon by the record industry, it will be at the expense of the very origins of that newfound talent.